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Lost In The Woods Key

Written By Thursday, July 14, 2022 Add Comment Edit

2019 song past Jonathan Groff

"Lost in the Woods"
Song by Jonathan Groff
from the album Frozen Two
Released November 15, 2019
Genre
  • Soft rock
  • glam rock
Length three:01
Characterization Walt Disney
Songwriter(s)
  • Kristen Anderson-Lopez
  • Robert Lopez
Producer(south)
  • Anderson-Lopez
  • Lopez
  • David Metzger
  • Tom MacDougall

"Lost in the Woods" is a song written by Kristen Anderson-Lopez and Robert Lopez for Disney's blithe flick Frozen 2 (2019), the sequel to the 2013 animated film. It was recorded by American player and vocalizer Jonathan Groff, who voices the graphic symbol Kristoff, and produced by its songwriters with Dave Metzger and Tom MacDougall. The song was released by Walt Disney Records on Nov fifteen, 2019, as part of the movie's soundtrack album. "Lost in the Wood" is a soft rock and glam rock carol about relationship insecurities. Featuring piano keyboards and distorted electric guitars prominently throughout, the vocal'due south production and instrumentation distinguish it from the movie's other musical numbers.

Due to Kristoff's not-musical personality, Groff inappreciably sings in the first Frozen film despite his musical theatre experience, which disappointed fans and critics. Anderson-Lopez and Lopez decided Kristoff's first proper song should depict him learning how to express his emotions for the first fourth dimension, specifically how he feels about his girlfriend Anna, to whom he has been struggling to propose. "Lost in the Woods" ultimately replaced a duet that had been written for Kristoff and Anna. The songwriters were heavily inspired by rock songs and bands from the 1980s, specifically ability ballads performed past male singers who were unafraid to express their innermost feelings through song, and cited musicians Bryan Adams and Jon Bon Jovi as inspirations. Groff provided all of the song's background vocals himself, recording at least xviii unlike vocal tracks. Delivered in a tongue-in-cheek style, "Lost in the Woods" is both a sincere expression of Kristoff'due south feelings and parody of 1980s music; the song's accompanying musical sequence in the moving picture was animated to resemble music videos from the same time catamenia.

Nearly film and music critics have reviewed the song positively, praising its 1980s-inspired production, humor, and Groff'southward performance, while declaring it a standout among Frozen Two'southward songs. Several reviewers commented on the vocal's appeal to older Frozen fans. American rock ring Weezer recorded a cover of the song for the pic'south end credits, the release of which was accompanied by a music video starring actress Kristen Bell, who voices Anna, as atomic number 82 singer Rivers Cuomo's love interest.

Background [edit]

American actor and singer Jonathan Groff voices the grapheme Kristoff, a reclusive mountaineer and ice harvester,[1] [two] in the Frozen films.[three] [iv] Despite beingness an achieved Broadway performer in his own right with all-encompassing musical theatre experience,[5] Groff barely sings in the first film, autonomously from his grapheme's brief solo "Reindeer(s) Are Better Than People".[6] [7] Several critics and fans complained about the role player'southward lack of musical performances in Frozen,[8] [9] widely criticizing the film for declining to utilize his talents properly.[x] Frozen songwriters Kristen Anderson-Lopez and Robert Lopez admitted they will ever be ashamed of not writing a proper song for Groff or his character,[7] acknowledging information technology as a missed opportunity.[11]

Screen Rant'south Kay McGuire reported that Disney has attributed Kristoff's lack of a song in Frozen to his label, explaining that a complete musical number would have been inappropriate for the graphic symbol's personality and office in the film since, for the most function, he is "not the kind of character to suspension into vocal".[12] Although the songwriters, filmmakers and cast agreed that Groff does not sing nearly enough in the outset picture show,[13] [fourteen] the actor admitted that his fans were more disappointed by the oversight than he was.[vii] According to Vanity Off-white's Joanna Robinson, both the songwriters and Groff struggled to sympathize how his character could sing an entire song in the sequel without but "shoehorn[ing] in a song" with lilliputian plot relevance.[7]

Ultimately, the songwriters decided Kristoff's song should revolve effectually an emotionally repressed man finally being able to express his feelings for the beginning time in the form of a 1980s power ballad,[13] resulting in a funny nonetheless emotional moment for the character's development.[15] The song was inspired by Kristoff's tendency to convey his innermost thoughts via Sven, his pet reindeer, an unusual personality trait first established in Frozen that ultimately becomes "Kristoff's way of expressing his deep, deep emotional feelings", co-ordinate to Groff.[nine] McGuire theorized that, past Frozen Two, Kristoff is much more than comfy with his emotions, which in plough legitimizes the character having a musical number.[12]

Writing and recording [edit]

Young Caucasian man with short, blonde hair smiling and looking away from the camera. He is wearing a suit, collared shirt and tie.

"Lost in the Woods" was written past Anderson-Lopez and Lopez,[16] [17] who researched several classic rock bands as inspiration for the vocal.[18] Heavily inspired by the songwriters' love for 1980s music,[19] Anderson-Lopez described the song as an "homage to a time when men could express their feelings in a big, powerful way", and were especially inspired past singers Bryan Adams and Jon Bon Jovi.[eight] The songwriters believe this emotional style of singing has "decreased in popularity" since the 1980s, and hoped "Lost in the Wood" would help revive information technology.[eight] Since they were both teenagers during the 1980s, the songwriters incorporated "every emo emotion we ever had" during their adolescence into the vocal's lyrics.[20] "Lost in the Woods" was primarily written to convey Kristoff, a "buttoned-upwards mountain man", truly voicing his innermost feelings for the first fourth dimension,[21] while expanding upon the idea that he longs for a committed human relationship with Anna.[xx] "Lost in the Wood" replaced an earlier song entitled "Get This Correct",[7] which had originally been intended as a comedic duet between the couple.[22] Having never written a song like "Lost in the Woods" before, the songwriting duo constitute the process both risky and thrilling.[seven]

Upon hearing "Lost in the Woods" for the commencement time, Groff was surprised to learn Disney was willing to explore "such a left plow" for his character musically, and feared the vocal would be cutting from the final motion picture due to its jarring nature.[9] Groff and the songwriters discussed the need to "[toe] the line between emotion and campsite" in order to deliver a funny however sincere performance, explaining that, despite appearing funny to modernistic audiences, similar songs from the 1980s are "not making a joke ... it was a more innocent time. And there was a purity to it that we sort of laugh at now, merely that purity is also actually what the graphic symbol is feeling".[9] Anderson-Lopez agreed that they had decided to base the song on 1980s music so they could "accept fun" while maintaining a level of sincerity.[21]

To ensure Groff was in an appropriate mood to record "Lost in the Forest" on the day of the recording, the team watched several YouTube videos of balladeers from the 1980s in preparation.[7] Groff likewise drew inspiration from karaoke, specifically recalling memories of drunken men singing songs by the bands Journeying and Queen.[7] Groff provided all of the runway's background vocals himself, recording at least 18 different vocal tracks for Kristoff, Sven and several reindeer characters.[nine] [23] [24] Groff's background vocals were intentionally mixed to sound as though each character was singing from a slightly different location.[11] Anderson-Lopez described the background vocals as a hybrid between the bands Queen and Chicago,[7] which were also inspired by their background as a cappella singers.[15]

Lopez and Anderson-Lopez produced the track with Dave Metzger and Tom MacDougall.[25] [26] Disney revealed the full track listing for the Frozen 2 soundtrack on September 30, 2019, in which both the movie and end credit versions of "Lost in the Woods" are mentioned.[27] [28] "Lost in the Woods" was released along with the movie's soundtrack on November xv, 2019,[vii] with the deluxe version including an instrumental rendition of the rails.[17] The procedure of writing and recording the song is documented in the documentary series Into the Unknown: Making Frozen II, serving as the principal focus of its second episode "Back to the Cartoon Lath".[18] [29] [xxx]

Context [edit]

Groundwork and use in Frozen II [edit]

The songwriters encouraged Frozen Two's animators to "have this to an '80s video kind of place", which they had deliberately written on the song's lyric sheet.[7] Like the song itself, its animated sequence is inspired by rock ballads from the 1980s, which directors Chris Buck and Jennifer Lee researched diligently to ensure their visuals complimented the songwriters' vision.[5] The entire musical sequence was storyboarded by story creative person Dan Abraham,[v] while the idea of a reindeer chorus was suggested past diverse animators.[7] At times, the directors felt Abraham'due south ideas for Kristoff's performance were too "extreme", which at some points had depicted the character cartwheeling and ripping his shirt off, thus Buck and Lee brash the animator to go on Kristoff's antics more than grounded.[v] Kristoff'south supervising animator Justin Sklar plant the scene especially difficult to animate, admitting that animators instinctively want to create "the craziest" and most ridiculous version of any project they are assigned to, which does not always benefit the sequence.[31] Sklar initially struggled to remainder the scene's sense of humour with Kristoff's "sincere performance", while at the same time granting the audience permission to laugh at how he expresses himself.[31] [32] Co-ordinate to Sklar, the final version of "Lost in the Woods" is significantly "less crazy" than before iterations, which evolved considerably throughout the evolution procedure.[33] Of the scenes he has animated for Frozen II, Sklar considers "Lost in the Forest" to exist his favorite.[33] Animating and emoting dozens of reindeer besides proved challenging for Sven's supervising animator Michael Woodside, since the animals had never spoken for themselves before "Lost in the Forest".[11]

Kristoff struggles to propose to his longtime girlfriend Anna during most of Frozen II,[7] [34] [35] with a subplot revolving around him constantly failing to ask Anna to marry him.[36] Anderson-Lopez explained that both characters belong to contrary worlds, which inevitably results in communication bug between the couple.[7] The vocal is immediately preceded by Sven singing "you feel what you experience and your feelings are real", a brief reprise of "Reindeer(s) Are Meliorate Than People",[37] which Anderson-Lopez identified as the scene's most important part.[21] According to Brian Tuitt of USA Today, Sven's introduction encourages Kristoff to "Let your guard down and let your feelings out",[38] which Anderson-Lopez hoped would help immature boys confront toxic masculinity.[39] Actress Kristen Bell, who voices Anna, concurred that Kristoff's vocal offers young boys a positive example of a grown human expressing "big feelings", which she believes they do not see represented on screen often.[xl]

"Lost in the Wood" takes place approximately one-third of the mode into the film when Kristoff and Anna become separated, the latter choosing to pursue her sister Elsa deeper into the Enchanted Wood.[6] Kristoff has just accidentally proposed to Yelena, leader of the Northuldra tribe, whose silhouette he has mistaken for Anna'southward.[41] While Anna chooses to prioritize herself and Elsa, Kristoff remains behind to contemplate "his feelings of frustration and feelings of repressed love".[38] Serving equally Kristoff's "I Want" song,[42] the grapheme sings virtually feeling left behind by Anna's decision to embark on an adventure without him,[43] discovering that much of his identify is dependent on her.[44] Unsure how Anna feels about him, Kristoff sings about his vulnerability.[45] Surrounded past several reindeer providing groundwork vocals,[8] [9] Kristoff channels his ache into the ballad, voicing his frustration nearly their human relationship.[46] Its "intentionally cheesy" musical sequence is reminiscent of music videos from the 1980s, according to Jocelyn Noveck of the Associated Press,[47] featuring tight, deadening-motility closeups of Kristoff singing and dancing,[7] [48] Anna crossfading into their environment, Kristoff singing into a pine cone in lieu of a studio microphone,[half-dozen] and the graphic symbol's face being superimposed into diverse scenes.[36] Kristoff is also surrounded by a reindeer chorus in a scene referencing "Bohemian Rhapsody" by the band Queen,[8] [23] as well equally the male child band the Backstreet Boys.[xviii] The song's humorous lyrics are bolstered past the scene's as comical choreography and blitheness.[49] By the end of the musical number, Kristoff has finally succumbed to his feelings, demonstrating a sense of ownership over his emotions.[11]

Interpretations [edit]

Syfy author Courtney Enlow observed that each main graphic symbol experiences an place crisis in Frozen II, with Kristoff becoming lost both "in the woods" and his relationship.[50] As i of the few prominent male person characters in Frozen II,[43] Kristoff is essentially a sidekick to the film's female leads.[51] 411Mania's Jeffrey Harris felt the song helps justify the character's inclusion in the motion-picture show by acknowledging that he feels left out by Anna's preoccupation with Elsa.[11] [51] Disney films typically practise not feature 1980s-inspired power ballads.[52] Despite being a tonal departure from the film'southward more than earnest musical moments, Groff felt the song's comedic treatment would help Kristoff's emotional proclamations be more palatable to young boys.[7] He explained, "Normally you're seeing the girl pining over the guy singing an emotional ballad ... And in this i Anna goes off to continue a huge adventure and they've inverted it. Now it'southward giving the boys the opportunity to experience their feelings and sing about whatever is going on for them".[vii] Groff considers this to exist a positive message encouraging young boys to limited themselves, like to the manner in which Elsa's "Permit it Get" from Frozen had encouraged young girls.[38] "Lost in the Woods" is as well the moving picture'southward just love vocal.[53] Sarah El-Mahmoud of CinemaBlend observed that although some previous Disney films had featured solos for their male person leads, they are typically about their personal journeys instead of honey.[54] Similarly, Romper's Jen McGuire expressed that previous Disney songs performed past men had largely been virtually "about succeeding in life and being the champion", seldom allowing "for the complicated emotions of feeling deep beloved stuff for another person and feeling unsure if those feelings are returned".[45]

The scene's humour is largely self-referential and natural language-in-cheek,[55] [56] incorporating several music video clichés,[ane] such as wind-swept hair and dissever-screens reminiscent of a multifariousness bear witness.[57] [58] The sequence also embodies the anachronistic tone of phonation used throughout both Frozen films,[51] being one of only several pop culture references the moving-picture show contains.[59] Groff described the scene as truly a "souvenir" to adult Frozen fans, assertive adults are more likely to understand the scene'south references to the time period it parodies.[ix] The Daily Bruin'south Paige Hua observed that the song's self-aware tone "services a more millennial audience".[lx]

Music and lyrics [edit]

"Lost in the Woods" is a soft rock power carol virtually honey, longing and relationship insecurities,[21] [61] heavily inspired by 1980s music.[vi] [9] [62] Dana Barbuto of The State Periodical-Annals chosen the carol "a slow-rock song straight out of the '80s".[63] The song also draws upon elements of glam rock,[64] [65] [66] [67] ability pop,[8] [68] [46] yacht-rock,[35] [48] popular,[69] stone-gospel,[xviii] and rock opera,[70] also as boy band music from the 1980s and 1990s.[71] [72] Film critic Robbie Collin of The Daily Telegraph described the track as "an affectionate send-up of Nineties boyband malaise pop".[73] Written in the key of A-flat major and performed at a slow tempo of lxx beats per minute,[74] the vocal lasts 3 minutes and one 2nd in duration.[75]

Middle-aged Caucasian man with long, blond hair, smiling while looking directly into the camera. He is wearing a collared shirt, suit and tie.

The song'south product and Groff's vocals were constantly compared to the work of singer Michael Bolton (pictured), among other artists.

Musically, "Lost in the Woods" is a meaning divergence from Frozen II 'due south other songs, nigh of which are inspired past musical theatre and testify tunes.[7] Kickoff with an electric guitar riff,[76] instrumentation includes piano keyboards and distorted electric guitars,[10] the latter of which Lopez described as a quintessential trademark of the decade.[7] Containing phrasing and instrumentation as well allegorical of the same fourth dimension flow,[37] the vocal's production swells as it approaches its outset chorus, where it is joined by Groff's harmonies.[35] Despite heavy instrumentation, the ballad remains focused on Groff's vocals and harmonies, which are prominently featured throughout the track.[35] Groff belts the tune in a way Vulture's Jackson McHenry described equally "slightly overcooked".[vi] In addition to parodying the time period by which information technology was inspired, Screen Rant'due south Matt Berger felt the runway too lampoons ballads from the original Frozen film.[77]

"Lost in the Woods"'s production and instrumentation have been compared to the works of several musical acts who were popular during the 1980s, such as singers Bryan Adams, Michael Bolton, Peter Cetera, Elton John, Meat Loaf, and Richard Marx,[eight] [78] [79] [80] [81] and the bands Air Supply, Chicago and Journey.[4] [vii] [82] [83] Johnny Oleksinski of the New York Post cited influences of country music, comparing the ballad to the piece of work of singer-songwriter Carly Simon.[84] Remarking upon the song'south 1980s actuality, Michael Ordoña of the Los Angeles Times joked that "[producer] David Foster may need a Deoxyribonucleic acid test",[85] while according The Daily Nebraskan's Libby Schilz, its instrumentation "provides a grandiose, orchestral sonic mural ... creating a soundscape reminiscent of Elton John and REO Speedwagon's 'I Can't Fight This Feeling'".[10] Sabrina Rojas Weiss of Cosmopolitan summarized the song as a "mashup of every single sad stone song of the '80s we tin can think of".[86] The Austin Chronicle'south Kimberly Jones labeled its production a "melting pot" of influences, combining 1980s synths and instrumentation with "Nineties boy band choreography".[87]

The song'due south lyrics begin "Again, y'all're gone",[74] and discuss themes about growing autonomously and feeling lost without ane'south significant other,[8] who is on a split up journeying.[35] Dislocated about their whereabouts, the vocaliser confesses "Now I turn around and find/ I am lost in the forest/ North is south, right is left ... When y'all're gone/ I'm the one who sees you home/ But at present I'm lost in the woods/ And I don't know what path yous are on/ I'm lost in the woods".[88] Feeling "lost in the emotional mural of a human relationship" as described by Kristin Kranz of Hypable,[76] Groff expresses "forlorn" sentiments such as "Who am I? If I'm not your guy".[35] Groff sighs the line "You're my only landmark, so I'm lost in the wood",[45] lyrics Jocelyn Noveck of the Associated Press described as "angsty".[47] Erik Kain of Forbes pegged the track equally an over-the-superlative "heartbreak carol" almost being "ditched past [i's] girl".[41] According to United states of america Weekly'due south Mara Reinstein, the song's lyrics are tongue-in-cheek near pining another's dear,[89] while the Los Angeles Times motion-picture show critic Justin Chang quipped that the singer "basically admits he needs directions".[xc] The Mary Sue's Jessica Bricklayer observed that the carol remains "a sincere expression of insecurity near a relationship and being left backside", despite such sentiments being expressed in a funny, cheesy way.[53]

Reception [edit]

Critical response [edit]

"Lost in the Woods" has received mostly positive reviews from both entertainment critics and fans.[48] [91] Lex Goodman of PureWow reported that the audition applauded and cheered for the song during the Frozen II premiere.[48] Many critics suggested the song could go as popular as "Let it Become" from Frozen.[92] [5] [71] Several reviewers, such as TheWrap's Alonso Duralde, deemed "Lost in the Woods" the motion-picture show's best song and a standout amidst its musical numbers.[6] [47] [59] [90] [93] [94] Recognizing the song every bit a highlight of the sequel, the Associated Press critic Jocelyn Noveck crowned "Lost in the Forest" the film'due south "true heir to 'Let information technology Become,' at least in terms of its addictiveness".[47] Writing for The Daily Nebraskan, Libby Schilz said "Groff shines" throughout the song, calling the runway a tricky, "heralding sit-in of his song talent".[10] Jackson McHenry of Vulture named "Lost in the Wood" Frozen II's best song while praising Groff's operation as some of his finest work. [6] McHenry theorized that more musical films could do good from entertaining, grapheme-driven songs similar "Lost in the Woods" instead of "epic, pop-adjacent ballads".[vi] Like-minded that the ballad is a musical highlight, BBC Online called its inclusion "an absolute treat".[81] WRAL's Demetri Ravanos said the vocal proves that Frozen's songwriters are superior to "the rest of Disney'southward go-to songwriters".[79] Calling the ballad i of the pic'due south smartest artistic decisions, Amanda Prahl of BroadwayWorld praised Groff's performance while declaring the track a "meliorate use of his voice than 'Reindeer(s) Are Better Than People'".[43] Matt Rooney of JoBlo.com suggested "Lost in the Woods" could go a fan favorite, writing that Groff "has the pipes to brand information technology a worthy carol to stand up alongside 'Into the Unknown'".[95] Billboard contributor Rania Aniftos dubbed the musical sequence one of the moving-picture show'southward nearly iconic,[96] while The Mary Sue'south Princess Weekes chosen it "visually satisfying".[97] CinemaBlend's Eric Eisenberg institute the musical number an excellent and welcome opportunity for Frozen II's animators to express their creativity.[98] 411Mania'south Jeffrey Harris declared the song a show-stealer, describing it equally "absolutely hilarious" and undoubtedly "The all-time song in the movie".[51]

"Lost in the Woods" is a chance for Lopez and Anderson-Lopez to once again stretch their comedic muscles equally songwriters ... Though Kristoff'southward honey for Anna is real, and his frustration at non being able to put a ring on her finger genuine, "Lost in the Woods" is a hilarious throwback to the power ballads of the 1980s, down to how the song is visualized like a music video that might have featured a hair-metal ring doing a slow number. Groff is, of grade, an achieved singer so he'due south belting it out no affair what. Merely the animators get to play around as much as the song itself does, mimicking '80s music-video styling to hilarious outcome. Information technology'south a perfect blend of animation and music, with modern flair.

Review from The Hollywood Reporter [99]

Critics agreed that "Lost in the Wood" is 1 of the film's funniest moments and praised its humor,[39] [77] [82] [100] with Dana Barbuto of The State Journal-Register calling information technology a "fun surprise".[63] Noah Levine of The Daily Texan encouraged readers to forget well-nigh "Permit information technology Go'" in favor of "Lost in the Woods", calling the latter "a hilarious homage to retro dear songs".[101] Writing for the British Film Found, Kate Stables appreciated the song for contributing "three minutes of uncomplicated pleasure" to an otherwise somber flick.[72] Similarly, David Sims of The Atlantic said the campy song "helps to lighten upwards a plot that'due south otherwise weighed downwards past elaborate exposition", which he compared to the work of Jim Steinman,[one] while Josh Spiegel of /Film said the song "toe[s] the line between existence besides referential and simply slyly funny enough".[59] NDTV contributor Akhil Arora called the vocal a "deliberately cheesy and campy" hoot.[57] Writing for TheSagOnline, Phoebe Kallaher identified "Lost in the Woods" equally the film's only memorable musical moment, reporting that it "had every age group in the audition rollicking with laughter".[49] Other critics, such as Sarah Harris of the Deseret News, deemed "Lost in the Woods" the all-time Frozen vocal for adult fans.[83] [102] [103] Matt Singer of ScreenCrush agreed, elaborating, "Parents will capeesh the care put into mimicking onetime music videos' goofiest impulses".[104] Although The New York Observer'south Oliver Jones observed that the musical number was very well-received by fellow adult audience viewers upon watching the picture in theaters for the first time, he could not decipher if at least some of the scene'southward cheesiness was unintentional.[55] Jones also plant the song's particular fashion of meta-humour more appropriate for a DreamWorks animated picture than Disney.[55] Despite ranking "Lost in the Woods" the 2nd well-nigh probable Frozen II vocal to exist repeatedly sung past children, Sam Brooks of The Spinoff nicknamed information technology the soundtrack'south "drunk adult song", predicting it would be more than popular among adults and karaoke fans.[64] The Los Angeles Times reporter Nardine Saad said children will still find the song'south "over-the-acme elements and reindeer" amusing, despite its adult appeal.[70]

Some reviews were more than tepid. Annlee Ellingson of the American City Business organisation Journals agreed that "Lost in the Woods" is the sequel's musical highlight, despite feeling information technology lacks the earworm potential to rival "Permit information technology Go".[105] Collider'southward Matt Goldberg plant the track tricky only junior to "Let it Go".[106] The Maui Time Weekly's Barry Wurst Two, who was otherwise unimpressed with Frozen 2's soundtrack, deemed "Lost in the Woods" its best song, despite describing its lyrics as unmemorable.[107] Filmtracks.com described the ballad as "mildly amusing even if it really badly pushes the film away from its fantasy cadre".[37] Phonation writer Aja Romano admitted that they plant "Lost in the Forest" generic upon subsequent re-listens despite initially selecting it as the film's all-time song, believing the carol could be performed by whatsoever Frozen Ii character.[108] Romano explained this "is cracking if y'all desire a song to be a popular hit, only disappointing equally a graphic symbol-builder for Kristoff".[108] Romano too plant the song's production out of place.[108] Simran Hans of The Guardian dismissed "Lost in the Woods" equally "forgettable",[109] while Petrana Radulovic of Polygon remarked that the song "would be absolutely hilarious if information technology didn't stall the moving picture for three minutes".[36] Writing for Forbes, Erik Kain felt the musical number ultimately "falls flat thanks to the poor build-upward and shoddy writing".[41] Kimberly Jones of The Austin Chronicle offered a negative review, describing "Lost in the Woods" as a "low point" and its lyrics equally "numbingly straightforward" and "insufficient of wit".[87] Sam Adams, writing for Slate, opined that "Lost in the Woods" beingness the motion-picture show's all-time moment is actually "not a great sign", fearing younger viewers would not sympathize the scene's retro references.[110] Cassie Maz of WPTS-FM dismissed the vocal as a disappointment, writing, "At best, it's a parody of sappy beloved songs. At worst, it'south an odd boyband homage with talking reindeer that makes you recollect 'What the heck am I watching?'", believing the scene serves as niggling more than than "a meme that's there for laughs instead of plot or character development".[111]

Accolades [edit]

Syfy selected the track as their "Chosen One of the Mean solar day", with author Courtney Enlow penning an entire article celebrating Groff having earned a proper solo and its use of a reindeer choir.[50] Adam Chitwood of Collider ranked "Lost in the Wood" the best song from Frozen Ii, calling it "quite possibly the best moment in all of Frozen II" and arguably superior to "Let it Go". [112] Evoke.ie ranked "Lost in the Woods" the best song on Frozen II's soundtrack, with writer Olivia Fahy calling it a "standout moment" and "proper bop".[113] Matt Berger of Screen Rant named "Lost in the Woods" the second-best song from the film, calling it both "hilariously catchy" and effective for character development.[77] USA Today's Brian Truitt ranked "Lost in the Woods" the 4th-best Frozen II vocal.[114] Despite declaring "Lost in the Woods" Frozen II's fifth-best song, the Los Angeles Times reporter Nardine Saad agreed that it is "the funniest song of the motion picture".[seventy] Michael Ordoña of the Los Angeles Times included the song on their list of potential Academy Award for Best Original Song contenders from 2019. [85]

Marisa LaScala of Practiced Housekeeping ranked "Lost in the Woods" the 36th best Disney song of all-time, citing it as an example of Frozen II excelling when songwriters try new genres.[115] In a listicle selecting the all-time song from 25 animated Disney films, Nevada Sports Net's Chris Murray appreciated the song's 1980s influence and that information technology is not performed by Idina Menzel.[52] In 2021, Hallmark released a musical Christmas tree ornament inspired by the vocal, which depicts Kristoff wistfully posing underneath a tree.[116]

Credits and personnel [edit]

Credits adapted from Spotify:[25]

  • Jonathan Groff – vocals, groundwork vocals
  • Kristen Anderson-Lopez – songwriting, production
  • Robert Lopez – songwriting, production
  • Dave Metzger – production
  • Tom MacDougall – production

Weezer version [edit]

Young Caucasian woman wearing her blonde hair pulled back behind her head. She is smiling slightly while looking into the camera.

Actress Kristen Bell appears in the music video for Weezer's cover of "Lost in the Woods".

American band Weezer recorded a comprehend of "Lost in the Woods" for Frozen 2'south soundtrack, which likewise plays during the film'due south end credits.[16] [117] The embrace was produced by Weezer and Jake Sinclair,[118] [119] and engineered by Suzy Shinn, Rachel White and Will Carroll.[17] [120] Lopez played the keyboard,[7] jokingly coining himself the band'southward newest fellow member.[20] At the fourth dimension, the cover'southward release coincided with Weezer's trend of releasing child-friendly fabric towards the end of 2019.[121]

The comprehend received mostly positive reviews. Comparing it to the work of Queen, Spin's Rob Arcand said the song "pairs soaring, distorted guitar lines with Cuomo's schoolboy voice" before it eventually "return[s] to strictly Weezer territory, with palm-muted guitar and interlocking song harmonies".[122] As well comparing the track to songs past Queen admitting "without Freddie Mercury'due south over-the-superlative song presence", Chris DeVille of Stereogum described the comprehend as an "loonshit-rock track" that ultimately remains "unmistakably a Weezer song".[123] Entertainment Weekly's Tyler Aquilina opined that although "Weezer's popular-punk sound probably isn't what most people think of when they recollect of Disney ... that sound is very well-suited" to "Lost in the Wood".[124] Vanity Fair's Joanna Robinson agreed that "Lost in the Woods" sounds a lot similar a Weezer track, congratulating its writers for unknowingly writing a Weezer song.[119] Jason Fraley of WTOP predicted that the comprehend will appease alternative rock fans,[125] while Good Housekeeping's Marisa LaScala plant it "pretty practiced".[115] Chuck Campbell of the Knoxville News Sentinel described the rendition as "quintessentially Weezer".[126] Redbox correspondent Erika Olson hoped the band would perform the song live.[127] However, The Spinoff'south Sam Brooks dismissed the comprehend entirely, writing they "refuse to devote words to" information technology.[64]

Weezer released a music video to accompany their encompass on December half dozen, 2019,[96] [128] in which Bell appears every bit lead vocalizer Rivers Cuomo'south dear interest.[16] The music video is essentially a "shot-by-shot recreation of the scene" from the picture show.[50] [96] The video features Cuomo performing the song while exploring the Enchanted Woods and reminiscing about Bell's grapheme,[124] [xvi] who is wearing Anna'southward costume.[124] Bong'southward character constantly disappears during the video.[129] Cuomo wears a fur coat reminiscent of Kristoff, while their environs and surroundings are various shades of lavander and neon.[121] Similar to Kristoff, the singer besides sings into a hanging pine cone as though it were a microphone.[16] The rest of the band is also dressed in medieval attire inspired by Frozen. [130]

References [edit]

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Source: https://en.wikipedia.org/wiki/Lost_in_the_Woods

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